Not terribly surprisingly this smiling mug belongs to one of
baseball’s true characters. The title of his autobiography – “Norm Who?” –
tells a lot about its subject. Norm is posing at Shea during one of those
end-of-the-world days judging by the color of the sky. There was a really good
chance Norm wasn’t playing that day as he only had eight at bats for the Braves
all year. Too bad, too, because he put up six RBI’s in those at bats so by
extension if he got up more he could have had a huge season. But by this season
Norm’s back was shot and he was placed on the DL just a couple days after being
picked up from Houston
for Cecil Upshaw. He’d go on it again later in the season and by ’74 the injury
would help derail his playing career for good This is his final card.
Norm Miller is another Southern
California kid, he from LA and Van Nuys high school. At some point
he attended Los Angeles
Valley College,
a two-year school, but I see no record of his playing ball there. He was signed
by the Angels in ’64 when he was 18 so maybe he never did. At any rate, he did
some nice hitting to start his career, tapping the ball at a .301 clip with 30
RBI’s and a .448 OBA in 53 games in A ball that summer. In ’65 he showed more
power, putting up 20 homers and 92 RBI’s in Double A while he hit .289 with a
.405 OBA. When he debuted for Houston
later that season the umpire had to let him know that he still had his warm-up
jacket on when he stepped to the plate. In ’66 he cooled off a bunch with a
.245 and 30 RBI’s in Triple A along with some more at bats up top. In ’67 he
shared a rookie card with Doug Rader, hit .406 with a .535 OBA in Triple A and
began his MLB career in earnest.
Miller spent most of ’67 in Houston where he backed up Ron Davis in left
field and unfortunately didn’t take too much of that Triple A stroke with him.
In ’68 he boosted his average over 30 points as he took over the lion’s share
of right field since that year Rusty Staub was forced to play first base. Norm
held down that spot in ’69 when his best season included a .348 OBA. He also
saw his profile raised a bunch retroactively that year when he roomed with Jim
Bouton after the latter guy was traded from Seattle and Norm got considerable mention in
“Ball Four.” Probably his funniest bit was when he claimed that since he was
Jewish he would refuse to play on Jewish holidays, not because he was super
religious, but because he happened to go o-fer on the ones in which he did
play. In ’70 Houston
did some shuffling in the outfield, mostly to allow rookie Cesar Cedeno playing
time, and Jesus Alou and his .306 average moved across the field, pushing Norm
back to a reserve role. Then in ’71 with the added rise of Bob Watson, Norm got
more marginalized and only in ’72 would he again top 100 at bats. In early ’73
he went to the Braves for Cecil Upshaw and in ’74 after hitting .171 in 41 at
bats he was released. He attempted to stick with LA in ’75 but that didn’t work
so he was done, or done in by his bad back. He finished with a .238 average
with ten homers and 160 RBI’s and a .323 OBA. In the minors he hit .284 with a
.395 OBA.
Miller had relocated to the Houston area while he was playing for the
Astros and moved into marketing there after playing ball. One of his first gigs
was for Monterey House Restaurants, a local Mexican food chain. Back then – in
the late Seventies – he also pitched batting practice for the Astros. Ten years
later when Bouton caught up with him on the 20th anniversary of his
book Norm was selling television ads for the Astros. He continues to work in
that field, published his book in 2010, and since 2011 has had a local AM radio
talk show. He too has a website that includes some YouTube videos and is linked
to here.
This is one of the most lopsided card backs in the set which
is about right for its subject. Norm also scored the only run to end a
24-inning marathon game against the Mets in ’68.
Since this will be the last post in September it is a good
one on which to catch up on music news. In 1973, September 29th saw
new Number Ones on both sides of the pond. In the US, Grand Funk Railroad’s “We’re An
American Band” took over for a week. In the UK, “Eye Level” by The Simon Park
Orchestra began a four week run. As suspected, it is an instrumental – you have
definitely heard this song someplace – that was the theme song to a BBC show
called “Van Der Valk.” That series, which ran on – and mostly off – for about
20 years starting in ’72 was about a detective based in Amsterdam. Think of a European-stylized
“Kojak.”
Ed Herrmann played for Houston
a few years after Norm did, but they shared at least one teammate:
1. Miller and Cesar Cedeno ’70 to ’72 Astros;
2. Cedeno and Ed Herrmann ’76 to ’78 Astros.
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