From what I can tell, this is the third card in a row in
which poor itinerant Chuck Taylor is airbrushed into his uniform. In ’72 he is
painted into a Mets one although that card has one of those “look up at ...” photos
so the artist didn’t have to do too much work. In ’73 he looks miserable dyed
into a Brewers uniform and here we get the trifecta where he is airbrushed into
an Expos suit. I don’t know where he is so it is hard to tell in which uniform
this photo is actually taken but that huge see-saw in the background should be
of some help. Despite a bunch of time in Triple A in ’73 Chuck had a good
season that summer: 9-7 with 12 saves and a 2.50 ERA at that level and his
posted numbers up top. At most Chuck would have been about 31 when this picture
was taken but to me he looks a bunch of years older. Maybe the ink the Topps
guys used to convert his uniforms all those times was a bit toxic.
Chuck Taylor grew up in and around Murfreesboro, Tennessee,
where he played hoops and baseball at Bell Buckle High. After graduating in
1960 he stayed local by attending Middle
Tennessee State
and was signed by the Cards the summer after his first year there. Chuck went
3-5 the rest of that summer in D ball but with a pretty good ERA. He moved to C
ball in ’62 where he went 9-5 with a 3.22 ERA and then in ’63 to Double A (9-10
with a 3.76). After that season he was traded with Jim Beauchamp to the Colt
.45’s for Carl Warwick. Chuck had a tough time in the Houston system, going a
combined 9-12 with an ERA close to 6.00 in Double and Triple A before getting
sent back to St. Louis with Hal Woodeshick for Ron Taylor and Mike Cuellar
(oops!) in June of ’65. While he only went 4-7 the rest of the way for the
Birds in Triple A he did pull his ERA down over two runs. In ’66 until then a
starter, Chuck did relief work and did very nice work in Double A (3-2 with a
1.30 ERA) but not so hot up a level. In ’67 it was back to the rotation in
Triple A with much better numbers. Then in ’68 Chuck cut loose, going 18-7 with
a 2.35 ERA and five shutouts at that level and after kicking off ’69 by going
5-1 with a 2.06 ERA in eight starts he finally got his shot in the bigs.
Taylor
was an old rookie at 27 in ’69 but he did some nice work as a swingman,
starting about half his games. In ’70 his starts dropped to seven but he got
eight saves as one of the team’s closers. In ’71 he added three saves as he had
only one start and then hit the road again, this time to the Mets with Jim
Beauchamp – again – and Harry Parker for Art Shamsky, Rich Folkers – coming up
soon, Charlie Hudson, and Jim Bibby. Chuck’s season in NY wasn’t too
encouraging as his ERA zoomed the wrong way up top and stayed there when he
went back to Triple A, although he did go 9-2 at the lower level with seven
saves. In September the Mets put him on waivers and Milwaukee grabbed him. After putting up much
better numbers in a few games for the Brewers down the stretch he nearly made
it to the end of ’73 spring training before he was released and picked up by Montreal.
For the Expos in ’74 Taylor
had by far his best year in the majors, going 6-2 with 11 saves and a 2.17 ERA in
107 relief innings. While nobody was going to forget the monstrous numbers of
Mike Marshall, Chuck was a pleasant surprise and did a nice job filling at
least part of the gap. In ’75 the Expos, after a couple years at roughly .500
ball, took a few steps back and Chuck’s innings and numbers came in - 2-2 with
six saves - as Dale Murray took over the closer job. After a reduced role in ’76
he was done. He finished with a record of 28-20 with a 3.07 ERA, six complete
games, and 31 saves.
Taylor returned to Murfreesboro after his
career ended and set up a local hardware store. He also did a bit of local
scouting for various teams and in the Nineties began a fund-rising golf
tournament for his – I guess – alma mater of Middle Tennessee
State. He was inducted
into the school’s hall of fame in ’85 and also apparently did some local
government work on various committees. He had a stroke during the 2000’s but
recovered and is still an active presence in his community.
So that first star bullet is a good one but I think they
could have posted a better one for the second one. I guess the cartoon is a
preview for at least some of the work he did after playing.
Since this post occurs on a Monday there is some music news
to report. On August 1, 1973 Jerry Garcia gets a surprise for his 31st
birthday: a naked lady jumping out of a cake given him at a concert in Jersey City. On August 4,
Maureen McGovern’s “The Morning After” takes over Number One in the US. The song is
the theme song to the big hit “The Poseidon Adventure.” On August 6 Stevie
Wonder gets into a nasty car accident in North
Carolina – why did these things always happen in the
south? – and slips into a four-day coma with severe head injuries. On August 1,
1974 things are a bit brighter. In the UK the first album ever to go
platinum there is announced: The Carpenters’ “The Singles 1969 – 1973.” And in
the States Bruce Springsteen begins recording the album that in a year-plus
will be “Born to Run.” On August 3 Bruce and his boys open a show in NYC for
singer-songwriter Anne Murray. The E Street Band wows everyone so much that
poor Anne is nearly booed off the stage. It will be their final opening gig and
will also be the last time Ernest “Boom” Carter and David Sancious perform with
the band. During the recording of the new album they will be replaced by,
respectively, Max Weinberg and Roy Bittan.
So how do we get these two southern kids together? Here’s
how:
1. Taylor and Mike Torrez ’69 to ’71 Cards and ’73 to ’74 Expos;
2. Torrez and Roy White ’77 Yankees;
3. White and Frank Baker ’70 to ’71 Yankees.
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